May 15, 2012 (Mercatornet.com) - I suppose there is something grotesquely timely about it all. The same week as the President of the United States, the most powerful politician in the world, allegedly decides fundamentally vital social policy after listening to advice from his two young daughters, the children of Canada are once again thrown into an adult swamp and used and abused by adults.

This time it’s about pictures at an exhibition so to speak, but old Mussorgsky would be spinning in his grave. In Ottawa, the capital of the first Anglo-Saxon, English-speaking country to introduce same-sex marriage, “Sex: A Tell-All Exhibition”, is on display at the publicly-funded Canada Science and Technology Museum. And just in case you can’t catch it right now, the thing runs until the beginning of 2013.

Which is in itself a little odd, in that most of these temporary exhibits have a very short run, and several museums devoted to the sacrifice and heroism of Canadian soldiers and airmen, for example, are currently struggling to even survive due to financial hardships.

In case you assume that the reference to same-sex marriage is gratuitous, it’s essential to any understanding of why and how cultures become obsessed with the public display of sex. The re-definition of marriage based merely on the demands of an intensely fashionable sexual preference rather than immutable natural law has allowed ancient social institutions to become victim to the whims of personal desire and lust. It wasn’t so much marriage that was re-defined, but the human person. We were now to be classified simply by our sexuality, and sex was promoted as the pre-eminent of human aspects. More than this, what has always been a child-centred institution was now perverted into an adult-one.

So it was inevitable that such a culture would want to sexualize children as young as possible. It’s the mantra of much of the Western world: claim to protect children, but determine to destroy childhood.

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The exhibition itself is a mixture of the clinical and the prurient. Juxtaposed with scientific depictions of eggs and sperm and explanations of procreation are tales of why abortion is so important and, hard to believe really, videos of boys and girls masturbating. Whatever we think of self-abuse, and I regard it as one of those mortal sin things, kids have been able to get the hang of it for quite a long time now. They don’t need instructional videos. But I’m sure that a few adults would like to take a look—it’s what is known as child pornography, and the police spend enormous amounts of time and money trying to stop it and incarcerate the perpetrators.

A campaign for normalization

What the exhibition is actually about, of course, is normalization. There are no barriers, no right and wrong, no absolutes, and no “normal” in the brave new post-Kinsey world of sex studies and sexual freedom.

One of Canada’s leading magazine writers and frequent award winners wrote not long ago that “inter-generational love” should be seriously considered, and that a child-adult sex ring is no different from a hockey school, both involving fun, pleasure, and some risk and danger. That there are people like him around is not surprising; that he is still welcome into the halls of mainstream journalism and praised by his peers is what is genuinely disturbing.

Normal has to be defeated, claim these zealots.  So another video presents some neurotic woman moaning on – forgive the word – about the delights of having multiple lovers, although the word love is seldom mentioned. In more robust times she would have been known as a slut, but today that word is considered offensive. Well, yes, it is. Because what it describes is indeed offensive, and anti-human, degrading and, ironically, invariably for the pleasure of men and the subjugation of women.

Yet another film has a dozen people being interviewed about sexual orientation and there is not a heterosexual among them. Which is horribly dishonest, in that the vast majority of the world’s population is heterosexual, but also entirely predictable because the agenda behind all this is to expunge any nature of heterosexuality and even any concept of gender. In Canada we now have a proposed sex education curriculum in two of the largest provinces teaching children that there are in fact seven genders. “Twin-spirited” is my favourite, mainly because I’m not sure what it is.

Will no one protest?

The exhibition is open to everyone, but children under the age of twelve have to be accompanied by an adult. So a five or an eight-year-old can go along to watch the porn movies, see graphic pictures of naked women and stare at the illustrations of people copulating, as long as some dunderhead or pervert who has managed to reach the age of eighteen holds their hand, or some other part of their anatomy.

It’s not as if kids are unaware of their own sexuality and the realities of sex, and children have never been as exposed and often indoctrinated as they are today, but it’s the campaign to accelerate the learning process, make public what should be private, eliminate notions of love and romance, assume that sex is morally neutral, and encourage children to act upon every any impulse and lust, that is so profoundly malicious.

Smaller exhibitions and in particular trendy art galleries have been indulging in this sort of thing for a generation now. I once escorted a politician around one such in Toronto, where half the hall was devoted to sadomasochism, with an enormous photograph of a sad lady spread-eagled on a car, being whipped by a chap in a mask. The politician seemed more upset that the picture had received a government grant but the car had been made in Germany and not Canada! In other words, with some exceptions our leaders are indifferent, and those of us who criticize this nonsense will be condemned as frightened prudes.

Rise up, frightened prudes of the world, before it’s too late.

Michael Coren is a broadcaster and writer living in Toronto, Canada. His latest book is Heresy: Ten Lies They Spread About Christianity, available at Amazon.com. His website is michaelcoren.com. This article first appeared at Mercatornet.com and is reprinted under a Creative Commons License