September 17, 2012 (Mercatornet.com) - They say everyone is entitled to his fifteen minutes of fame. My mom had her brief moment in the spotlight a couple years back, when the New York Post called her for a comment about a new dorm policy at Columbia, where I was a sophomore at the time. As the article put it, “Columbia University students will soon be able to live in sin—on their parents’ dime. A new ‘gender-neutral’ housing policy . . . will allow boys and girls to shack up together in campus housing.”
My mom’s reaction was, I hope, the reaction most parents would have to such news. “I was shocked enough last year when we moved our son in and we saw that guys and girls shared a bathroom on the hall,” she told the Post. “If it had been our daughter, we would have turned around and walked straight out. As far as coed roommates go, that would be insane. If our child chose to do that, we would opt out.” Thankfully for my mom’s sanity, sharing a dorm room with a girl was never high on my college to-do list. But had she known what else Columbia had in store for us, I can guarantee she would have opted out anyway.
I don’t consider myself particularly puritanical. On the contrary, as I’ve indicated elsewhere, I have a very high view of human sexuality. But somehow I never found Columbia’s university-sponsored sexual culture all that sexy. Call me old-fashioned, but that giant, inflatable penis on the quad, Health Services’ guess-how-many-condoms-are-in-the-jelly-bean-jar game, and that mandatory freshman orientation skit on coping with roommate autoeroticism, just never fit my idea of sexually appealing.
Neither did Columbia’s annual Erotic Cake-Baking Contest, or the (in)famous “Sexhibition,” a university-sponsored event complete with a sex-toy show-and-tell and, wouldn’t you know it, more phallus-shaped baked goods. But not to worry: in true Columbia multiculturalist style, those genital cookies are kosher, lest anyone’s religious observance exclude him from this romping good time.
For better or worse, Columbia has been regarded as a trailblazer on issues of sexual “progressivism” since long before I entered its hallowed gates. Back in 1993, the university’s Health Promotion Program launched Go Ask Alice!—a Q&A-style website offering insight on such meaningful topics as sex with stuffed animals, breastfeeding one’s sexual partner, urine-drinking fetishes, and that annoying medical guideline about having to abstain from sex for three weeks after an abortion. The following year, Columbia became home to the nation’s first university-recognized sadomasochism club, Conversio Virium. (That’s Latin for “exchange of forces.” Glad to see those Classics majors putting their education to good use.)
Then in 2006, Columbia partnered with one of Soho’s notorious sex shops to bring its students “Sex Toys 101,” a workshop put on by the university’s own Health Services, which earned the school a glowing write-up in the New York Daily News.
You might reasonably think that it can’t get much worse than teddy bear masturbation and S&M clubs. How I wish you were right. But during my first term at the school, Columbia students found a way to one-up themselves yet again. In October of 2008, a group of my classmates released the first issue of a raunchy new (unofficial) campus publication, oh so cleverly titled C-Spot. Apparently it wasn’t enough for students to exhibit sex toys; from now on, they were going to be exhibiting themselves.
Like Playboy and similar magazines, the original C-Spot issue did feature a handful of articles, including a historical essay on the origins of the vibrator, and, for the more literary-minded student, a collection of pornographic poetry. But the bulk of the publication is devoted to more, let’s say, visual works of art.
As Fox News put it, “Columbia students trying to prove that scholarship can be sexy have launched a salacious magazine featuring strip-club reviews, Internet porn recommendations and nude pictures of students steamy enough to wilt ivy.” Now personally, I have never been able to figure out what would incline an Ivy League scholar to pose nude for C-Spot, often with other students and in all kinds of compromising sexual postures. But plenty do. And afterwards, sitting next to them in Symbolic Logic is never quite the same.
As I said, Columbia prides itself on being something of a trendsetter in the sexual arena. And there is certainly merit (or perhaps, more appropriately, demerit) to that claim. But while Columbia has indeed pushed the envelope on these issues of sexual obscenity, it is not the only groundbreaking force in the elite academic world. And if my brief highlight reel of Columbia’s exploits has come across as inappropriately scandalous, then I highly recommend steering clear of a new 300-page exposé about our Ivy League neighbors in New Haven. Don’t get me wrong—Nathan Harden’s Sex and God at Yale is a phenomenal book, and a timely and insightful addition to this conversation. But it definitely is not written for those with a weak stomach.
A recent graduate and a proud Yale Man himself, Harden writes not to slander the name of his alma mater, but to lovingly reprimand her for failing to live out her noble calling. It was the early fifties when William F. Buckley authored the now legendary God and Man at Yale, a book that similarly laments Yale’s abandonment of religion and its straying from its original academic mission. Harden sees his own Sex and God at Yale as “a continuation of the story [Buckley] began to tell” more than half a century ago. And yet, with the utmost respect for the late Mr. Buckley, Harden notes that Buckley’s complaints unfortunately “look quaint alongside the hard-core realities of today’s Yale.”
Chapter by chapter, Harden describes episodes in which these “hard-core realities” became particularly prominent in his own Yale experience. I will refrain from sharing here much of the graphic detail he supplies in the book, of which there is certainly plenty.
But in context, I actually found Harden’s illustrative descriptions effective in establishing a friendly tone, and a certain sense of ease between himself and the reader. True, Harden’s style of casual narrative makes it seem that he is speaking more to a young peer than to his elders at the university or in society writ large. But given the subject matter, this is the kind of book I would be more likely to pass along to a college friend than to my mother anyway.
Harden begins each chapter with a relevant quotation from a prominent Yale alumnus, effectively reinforcing the disconnect between the powerful noblemen Yale has formed in the past and the perverted juveniles it seems bent on producing today. My favorite quotation was the one he selected from Tom Wolfe, who received his Ph.D. from Yale in 1957, for Chapter 10, Hooking Up. Says Wolfe, “Today’s first base is kissing. . . . Second base is oral sex. Third base is going all the way. Home plate is learning each other’s names.” This line is obviously said a little tongue-in-cheek. But, I think, only a little.
It is presumably no secret that college is now dominated by the so-called “hook-up culture,” and that at many places anonymous or near-anonymous sexual encounters have become the norm rather than the exception on a typical Friday night. And depressingly, writes Harden, for “most college students, hooking up is the only way to carry on any kind of romantic relationship at all. Dating, in case you haven’t heard, is dead.” He goes so far as to say that actually “taking a girl to dinner is tantamount to a college marriage.” That may sound radical, but it is true to my own experience as well. Dating has become exceedingly rare among Columbia students, so much so that most students probably go all four years without ever going out on an official date.
And so, instead, college students “hook up.” Of course Yale is no different in that regard, and neither is Columbia. But at such elite institutions, and particularly at institutions as committed to the cause of women’s equality as these two are, there are special tensions that become particularly apparent. In one of the book’s more memorable passages, Harden writes,
When sex comes casually and with no relational strings attached, as it often does at Yale and on other college campuses, women are essentially commodified and objectified in the eyes of men. Here’s why: When no real relationship is involved, there is no need to treat one’s sexual partner like anything more than a functional object—a sex doll that breathes. … Under this arrangement women lose the respect they want and deserve. It’s hard to be a randy sexpot and a deobjectified feminist at the same time.
And unfortunately, as we will see, this is hardly the only respect in which the attitudes Yale fosters toward women are pathetically paradoxical.
The hook-up culture is, I’m told, fairly ubiquitous at this point, a common phenomenon nationwide. But thankfully for the rest of our country’s universities, most of the episodes in Sex and God at Yale are so over-the-top that they could only occur on a relatively few, particularly “progressed” college campuses.
Harden devotes one chapter to the tragically terrifying case of Aliza Shvarts, the Yale art major whose senior project centered around the “art” of abortion. Shvarts made national news back in 2008 for, allegedly, repeatedly artificially inseminating herself and then inducing her own abortions, as often as possible over the course of a nine-month period. She then used documentation from the process and the organic materials it produced in her final artistic display. While the media spectacle did eventually lead the university to try to distance itself from the project, up until then Shvarts had had the approval and supervision of the Yale Art Department for the entire exhibition.
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One of Yale’s most infamous events, and one that occupies about a hundred pages of Sex and God at Yale, is Sex Week. Held every other year, Sex Week features a ten-day series of activities, with varying levels of university involvement from one event to another. During Harden’s time, it featured such uplifting installments as: “Defiant Desires,” an S&M symposium; “Y-Couture Fetish Fashion Show,” with student models, of course; “Getting What You Really Want,” an anti-monogamy talk by a “polyamorist activist”; “Babeland’s Lip Tricks,” wherein a burlesque performer gave a 90-minute oral sex workshop to a packed auditorium of students; “Speed Dating—Give Some, Get Some!”, which is pretty pathetically self-explanatory; “Love Junkies,” a panel discussion in which a “clinical sexologist” described the group therapy he once gave to a grandfather, a grandmother, and their sex slave; “Erotic Piercings,” a section which I highly recommend skipping over in the book, as I’m still having nightmares about it; and “BDSM 101,” yet another sadomasochistic event, but this one including a demonstration in which the presenter, herself a porn star, got naked in a Yale classroom and became a human prop in the presentings. Once again, I sense some potential conflicts with the prevailing feminist ideologies of the Ivy League. Somehow, I don’t think this is quite what Gloria Steinem had in mind.
Harden’s book is incredibly graphic, and it should probably not be recommended reading for too general an audience. Nonetheless, his commentary on these obscene scenes is truly top-notch. In his discussion of the “Babeland’s Lip Tricks” event at Sex Week, Harden draws attention to the fact that many of the techniques recommended by the burlesque lecturer require latex gloves, to be performed safely. In a particularly gripping moment, he steals away from the action to offer the following gem, another of my favorites from the book:
This must be, I think to myself, the natural progression of the culture of clinical safe sex, taken to its banal extreme. It started with sex educators’ near-religious devotion to the condom—that miraculous wonder-sock that was supposed to cure AIDS, liberate women from the curse of motherhood, eliminate unwanted pregnancy, make abortion obsolete, and, above all, free mankind from so many lingering Victorian vestiges of fearful prudery. The all-powerful rubber gave us sex with no strings attached. But that wasn’t enough. Now our hands are also supposed to be covered with latex. Slowly but surely, our anonymous sex culture is becoming as devoid of physical contact as it is of emotional contact. Touchless, heartless, passionless sex is the inheritance of this porned-out, hooked-up generation.
In the fifth and final section of Sex and God at Yale, Harden ceases most of his narrative style, and in its place he offers a reflective analysis of what went wrong, of what led the ivy-covered university that produced presidents, Supreme Court justices, and movers and shakers the world over, to such a pathetic, pornified place. Squeamishness aside, this section really is worth everyone’s reading in its entirety.
Harden’s diagnosis is that Yale has lost its sense of moral and educational purpose, thereby losing any standard by which to discriminate worthy from unworthy classroom pursuits, and that the resulting relativism has inevitably given rise to the bizarre sexual dystopia one finds there today. Looking to the future, he prophesies,
Nihilism is, ultimately, where Yale is headed. Yale was built in order to nurture ideas that would elevate the soul and advance human understanding, but it now has no governing moral principle. As a result, the knowledge generated there is divorced from any larger human purpose. Apart from a kind of vague appreciation of certain concepts like tolerance and diversity, Yale is a moral vacuum. Therefore, almost anything goes.
One might wonder, given nude porn stars in the classroom, what that “almost” could still exclude.
Looking back on his expectations before moving to New Haven, Harden says, “I had thought of Yale as a modern-day equivalent of the Athenian agora; but all too often, I found myself sitting in the equivalent of an intellectual whorehouse.” And yet, he authored Sex and God at Yale not simply to draw attention to the university’s defects, but to hold Yale up to the standards that it once set for itself. In penning the present essay, I mean to do the same with regard to my own alma mater. Please do not misunderstand me; Yale and Columbia are fantastic institutions. I count myself blessed to have studied where I did, and Harden frequently conveys the same sense of gratitude to Yale throughout his book. But the greatness of these universities has come under fire, and their sexual obsession is compromising the virtues of the academy. So we write what we do, that they may be what they were. Our shared hope is that Columbia and Yale would once again flourish as the universities they were created to be—intellectual whorehouses no longer, and Athenian agoras once more.
Michael W. Hannon is a first-year law student at New York University and a graduate of Columbia University, where he triple-majored in Philosophy, Religion, and Medieval and Renaissance Studies. This article first appeared at Mercatornet.com and is reprinted under a Creative Commons License.